Prints
Each signed limited edition giclee print are on 310gsm watercolour paper. They are high resolution digital reproductions of Sarah’s woodland collages and paintings. These studies are made from a selection of ripped and cut wallpapers. The pattern and texture of the wallpaper is integral to the image and the illusion of the woodland landscape.
This print captures a family walk through Winkworth Arboretum, where its founder Wilfrid Fox had passionately planted an Autumnal vista. He had taken land that had been cleared to give Larch wood to the war effort in 1940. Enlisting the help of his family members, nieces, nephews and grandchildren he planted Japanese Maples and Azaleas. This area of woodland was planted and created by a family made up of different generations and the photograph was taken during a walk with different generations of Sarah’s family.
Each signed and numbered giclee print are on 310gsm watercolour paper. Produced in a strict limited edition run of 25 prints. They are high resolution digital reproductions of Sarah’s woodland collages and paintings. These studies are made from a selection of ripped and cut wallpapers. The pattern and texture of the wallpaper is integral to the image and the illusion of the woodland landscape.
This is a painting of Shelley’s Wood in West Sussex. The ground was frozen, but moss and lichen could be seen clinging to the trees.
Each signed and numbered giclee print are on 310gsm watercolour paper. Produced in a strict limited edition run of 25 prints. They are high resolution digital reproductions of Sarah’s woodland collages and paintings. These studies are made from a selection of ripped and cut wallpapers. The pattern and texture of the wallpaper is integral to the image and the illusion of the woodland landscape.
This painting is taken from a walk-through Shelley’s Wood in West Sussex. The bluebells were in full bloom and they created a carpet of flowers underfoot.
Each signed and numbered giclee print are on 310gsm watercolour paper. Produced in a strict limited edition run of 25 prints. They are high resolution digital reproductions of Sarah’s woodland collages and paintings. These studies are made from a selection of ripped and cut wallpapers. The pattern and texture of the wallpaper is integral to the image and the illusion of the woodland landscape.
Each signed and numbered giclee print are on 300gsm watercolour paper. Produced in a strict limited edition run of 25 prints. They are high resolution digital reproductions of Sarah’s woodland collages and paintings. These studies are made from a selection of ripped and cut wallpapers. The pattern and texture of the wallpaper is integral to the image and the illusion of the woodland landscape.
Each signed and numbered giclee print are on 300gsm watercolour paper. Produced in a strict limited edition run of 25 prints. They are high resolution digital reproductions of Sarah’s woodland collages and paintings. These studies are made from a selection of ripped and cut wallpapers. The pattern and texture of the wallpaper is integral to the image and the illusion of the woodland landscape.
Each signed and numbered giclee print are on 300gsm watercolour paper. Produced in a strict limited edition run of 25 prints. They are high resolution digital reproductions of Sarah’s woodland collages and paintings. These studies are made from a selection of ripped and cut wallpapers. The pattern and texture of the wallpaper is integral to the image and the illusion of the woodland landscape.
This is a limited edition, fine art inkjet print from an original collage using vintage wall papers and oil paints.
The print is 24.5cm by 33cm on an A3 sheet.
Each print is hand signed by the artist, editions of 25 only.
This is a limited edition, fine art inkjet print from an original collage using vintage wall papers and oil paints.
The print is 24.5cm by 33cm on an A3 sheet.
Each print is hand signed by the artist, editions of 25 only.
This is a limited edition, fine art inkjet print from an original collage using vintage wall papers and oil paints.
The print is 24.5cm by 33cm on an A3 sheet.
Each print is hand signed by the artist, editions of 25 only.
Each signed and numbered giclee print are on 300gsm watercolour paper. Produced in a strict limited edition run of 25 prints. They are high resolution digital reproductions of Sarah’s woodland collages and paintings. These studies are made from a selection of ripped and cut wallpapers. The pattern and texture of the wallpaper is integral to the image and the illusion of the woodland landscape.